When Ettore dies, Giulia, now seventy, remains alone in the house they shared in Toulouse. Silence settles until unfinished scores, recordings, and instruments return to the space. Returning to composition, Giulia reorganizes her days through sound, rehearsal, and the body in motion. Her husband’s memory remains incomplete, marked by a story she could never fully know. She moves through this quiet displacement, where creating becomes a concrete way to begin again.